![]() I still think the lighting is really cool and I tried being a little inventive here. Then I took this photo and later realized that headphones make no sense here if you're supposed to be on a stage, but I digress. I'll add lens flares and headphones, it'll be great!". "I know, I'll try a lighting setup that looks like I'm on stage. I thought I was being real clever here with this photo. You can find out more about clamshell lighting here where I go into much more depth. Another cool thing about this set-up is the signature catch lights in the eyes that clamshell lighting creates. Side note here, if you're going to be using a silver reflector like I did, make sure your subject isn't wearing glasses or has anti-reflective lenses or you'll get this funky pattern in the eyes like in the photo above. You don't necessarily have to use a reflector, any kind of bounce will do just fine. I used a silver reflector here, although traditionally a white reflector is used. Clamshell lighting also lends itself to portability as well since it's quite easy to set up shop anywhere. All you need is a soft, diffused light, like a softbox or a beauty dish, and a reflector to create this look. Clamshell lighting is incredibly versatile looks fantastic with a minimal amount of gear. ![]() ![]() This photo is an example of a classic lighting setup that a lot of professionals use for subject matter ranging from corporate headshots to beauty. This kept the focus on the snooted light while adding some fill so the whole image outside of that strip of light didn't fall entirely into shadow. I also added in another light to light the one side of my face just a wee bit. If I were to do this photo over again, I'd make that strip of light from the snoot appear even smaller. The closer you get your snoot to your subject, the sharper and more defined the light becomes. I placed the speedlite as close as I could without it getting in the shot. I wanted a very thin strip of light only spread across my eyes and let everything else fade to darkness. In my case, I made a snoot out of black construction paper instead of using a pre-made snoot. A snoot is something you place over the front of your strobe, in this case, a speedlite, that shapes the light into a very small, direct source of light. Questions? Please post them in the comments below.I wanted to mess around with a modifier that I haven't really done much with in the past. If you enjoy this class, check out Rim Lighting Photography for Stunning Portraits and Black-on-Black Product Photography Using Two Lights. Rim lighting and edge lighting for portrait photography.Portraiture with a projection attachment.You’ll cover rim and edge lighting, controlling flare, using projection attachments, shooting portraits with shallow depth of field, and more. Karl begins by explaining the principles and benefits of the matt-black studio, before describing how he and the team built the black box for this shoot.Īs he shoots a series of portraits, making subtle adjustments to his simple lighting setup as he works, Karl demonstrates how to control shadow density with awesome precision. If you work in a small studio space – especially a white one in which light bounce-back poses problems – this workshop will inspire you to try something different. In this photography lighting workshop, recorded LIVE, Karl demonstrates how creating a matt-black box, or using a small black studio space, can enhance your lighting control and help you create powerful, memorable images. Do you struggle to control light in your small studio? This class will help.
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